I’m a writer and film critic with a background in cinema operations and a strong academic foundation in film and cultural analysis. My work focuses on contemporary cinema, psychological drama, and themes of identity, memory, and emotional experience, combining close textual analysis with clear, engaging storytelling.

I hold a Bachelor of Arts with Upper Second-Class Honours from the University of Westminster and have been published in Clandestine Magazine, where I write long-form criticism and cultural essays. Alongside my writing practice, my experience working in cinema operations has given me a practical understanding of film as both an art form and an industry.

I’m particularly interested in writing that bridges critical insight and accessibility, exploring how film reflects inner lives and social structures while remaining grounded in audience experience.